Showing posts with label Outkast. Show all posts
Showing posts with label Outkast. Show all posts
Thursday, October 9, 2008
Exclusive: Janelle Monae "Many Moons" (Trackademicks "Y'all Better Shut Up" Remix)
Janelle Monae- "Many Moons" (Trackademicks "Y'all Better Shut Up" Remix).mp3
Every since I got up on Janelle Monae, I have been in her corner, hoping that her vision would someday unfold in front of a sizable audience. So many times, those with of amazing artistic statements get overlooked because their marketing budgets aren't there to bring them to those that need to see it the most. This is why I champion artists like Janelle Monae, J* Davey, and Muhsinah.
As a teen, being exposed to high concept, yet popular, "mainstream" music was essential in my development as an artist. The visibility of groups like the Roots, Outkast, and Radiohead in the 90's made it easier to see that there was a whole world of artists who valued high artistic ideals. They were fortunate enough to have opportunity bring it to the "regular" person, people who weren't "hip", "cool", or "down with the underground".
My aim has alway been to bridge gaps between the Known and Unknown. For many people, an artist like Janelle Monae represents that Unknown. So when I was asked to remix "Many Moons", I jumped at the chance.
My aim with this remix was to thoroughly address the roller coaster of Ms. Monae's musical theatrics, bringing the listener on a journey through changing soundscapes.
That's pretty much it... Peace!
Labels:
Bad Boy,
J*Davey,
Janelle Monae,
Many Moons,
Mushinah,
Outkast,
Radiohead,
Remix,
Trackademicks,
Wondaland Arts Society
Friday, April 18, 2008
RMXTP2 Liner Notes: “WesternSlapademickTenderSmobbinCosmicMusic”

The first time I heard OutKast in middle school, I couldn’t get it out my head. “Players Ball” and “Southernplayalisticadillacmuzik” were the probably some of the most important records in my musical foundation. The musicality appealed to my love of west coast hip-hop at the time. The way Dre and Big Boi bobbed and weaved in and out of that good doubled-up rhyme style was similar to how rappers got down in Oakland. Everything from the music, to the image, to the message was so deliberate. The term “Southernplayalisticadillacmuzik” was such a fresh and articulate way of describing a sound so multifaceted. Not to mention it ushered in a new era for southern hip-hop.
So when it came to inevitably having to throw my brand of music in a category for the sake of explanation, I took a cue from the best group in hip-hop (yes, I said the best), and threw my own term together. I could breakdown all the slanguage in the term “WesternSlapademickTenderSmobbinCosmicMusic”, but I'll let the music speak for itself…
Outkast “Southernplayalisticadillacmuzik” mp3.
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